albumen-coated glass negatives,
24, 32, 196 albumen paper, 196, 442 albumen prints, 33, 201, 239; aerial
views, 247; anatomical studies,
218; artificially lit scenes, 24S,
249; art reproductions, 240, 241; as book illustrations, 109; com
bination prints, 218, 227, 228, 234;
figure studies, 211; hand-col
ored, 280, 2S3, 2S4, 344; narra
tive, allegorical, and genre
images, 229-31, 234, 23s; 19th
century documentation, 155,
IS6-6O, 162, 164-69, 171-75, 179-83,
iSs-89, 191: 19th-century scenic
views, 96, 70,5, 105, 107, 107-11,
113-30, 132-39, 141, 142, I4S-S3;
picturesque images of working
people, 34I-4S, 343-44, 353-54;
pornographic, 216, 220; portrai
ture, 59, 60-70, 72, 74-77, 79, 82, 201-4, 2is; problems with, 33, 34, 67; social documentation,
34(i, 347, 349, 3S0, 352, 354, 357, 35S;
stereographs, 107, 109-10, 130,
133, 13^, 171, 172, 191, 235, 347; still
life images, 223-26; technical
history of, 196-97, 442; war
photoreportage, 179-83, 185-89,
191. See also cartes-de-risite Album Grdfico Histdrico, 465
albums, 215; of ethnographic
images, 170, 173; "galleries" of
portraits of famous people, 66,
67, 84, 85-93; of 19th-century
scenic views, 97, 99, 105, 115,
120, 122, 125, 135; presentation,
155, 157, 182, 189; of social docu
mentation, 346, 356, 35~-58 Alexander von Humboldt { Biow),
44,46 Alexandre Dumas (Carjat), S5
Alfred Kerr ( R. Diihrkoop and M. Diez-Diihrkoop), 315, ,?rt
Alinari, Giuseppe and Leopoldo,
115, 233, 241
allegorical images, 80; 19th-centu
ry art photography, 2rS, 220,
229, 230, 230-32, 233, 235; nudes
in, 300, 303, 304, 320;
Pictorialist, 304, ,50rt, 320 Alpert, Max (1899-1980), 472; work by, 473
Altobelli, Gioacchino (1814-1879),
114-15; work by, 119